Woman at War

On the same day that Captain Marvel was released, another female superhero stormed into American theaters, armed with a bow-and-arrow and ready to save the world. This one comes from Iceland and doubles as a choir director; when she's not struggling to file the adoption paperwork for a young girl from wartorn Ukraine, she spends her time blowing up electrical pylons and distributing eco-terrorist manifestos from the rooftops of buildings in Reykjavik. The ravages of capitalism and the global waste it engenders have led us to climate change, the manifestos urgently read; the only way to avoid our imminent destruction of the planet is to take down the corporations responsible for it. The woman is 49-year-old Halla (Halldóra Geirharðsdóttir), whose sketchy backstory and uncanny ability to thwart multinational corporations and their security teams would be preposterous if the movie didn't sidestep their illogicality so blithely. But Woman at War​ mostly works as wish-fulfillment fantasy, conjuring images of a lone vigilante confronting the end of the world more strikingly and movingly than Marvel Studios ever could.   

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