Early in the film Climax, we witness something that's never been present before in the work of Gaspar Noé: euphoria. It comes from a jaw-dropping dance number, filmed with characteristic bravado in one continuous take by Noé and cinematographer Benoît Debie. In a vacant school, in front of a glittering French flag, a virtuosic dance troupe leaps, contorts, gyrates, and performs other feats of bodily insanity to a thumping techno beat. It's a moment of both cinematic and athletic mastery, radiating with joy and energy, and it feels like a radical breakthrough in the career of a director who's so often seen as nihilistic and puerile.
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